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Raja Krishna Menon, director of Chef: Cooking Up A Success Story

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Raja Krishna Menon on FWD Life

After his success with Airlift, director Raja Krishna Menon returns with his next film Chef

Interview by: Suhas KM      Words by Charishma Thankappan     Photographs: Raja Krishna Menon

Raja Krishna Menon is earning applause with his new film Chef, starring Saif Ali Khan and Padmapriya. He established his name in Bollywood last year with his critically acclaimed film Airlift, which was also a huge commercial success. He speaks about Chef and his inspirations behind it.

What made you want to remake the Hollywood film Chef for Bollywood?

I was not interested in remaking the entire film as it is; it does not excite me. After watching the Hollywood film, I felt that there was a lot more to explore in it.

It was in the early ‘90s that the concept of professions other than the stereotypical started coming into the minds of people. People started becoming aware of and accepting unconventional careers such as that of chefs. People of that generation have a philosophical outlook. It is at the age of 40+ that one starts asking what is happiness and success. When I was in class ten, my mom told me about a cousin of mine who had become very successful. I asked her if he was happy; she said she didn’t know that, but he was making a lot of money. So I felt that these concepts could be explored through this film as the character Chef Roshan, played by Saif Ali Khan goes through these.

The original film Chef focuses on food and cooking; whereas you have shifted the focus on to the relationship between Chef Roshan’s relationships with his ex-wife and his son, which has been beautifully depicted in your film. What made you do that?

The story should be your own. You might get inspired from several others, but there has to be your own element. Food as such was not important; but it is the relationships around food that was important. In the West, they lay emphasis on presentation of food; whereas in Indian food, the importance is given to smell. It is the conversations and relationships that revolve around food that are more significant. Indian food in the way that it is naturally presented is not conducive to shooting because presentation is not an important element in our cuisine.

Raja Krishna Menon

I wanted to showcase a father-son relationship. Also, nowadays, a couple after divorce are not really hostile towards each other, unlike earlier days. Here, as they have the life of their son at stake, the husband and wife are still amicable towards each other even after separation.

Saif Ali Khan plays the part of a chef to expectations. How was his preparation for the role?

Saif is a Nawab who comes from a particular family background. For him to get into the skin of a middle class chef was the first barrier I faced. Also, it was very crucial to get the body language correct – it had to be like a Michelin chef, else the entire thing would have gone wrong right from the beginning. So there was training for six weeks at Marriott hotel at Juhu, Mumbai with Chef Himanshu. Also, Saif and I watched a lot of videos of a Netflix series on chefs.

Padmapriya last acted in the Bollywood film Striker in 2010 but was not noticed much. What made you choose her for your film?

I met Padmapriya through director Anjali Menon, who is a friend of mine.

The character Radha, as the wife is a strong, independent woman whose happiness is not dependent upon her husband. She has friends and a life outside her home. These were important to me. After meeting Padmapriya a few times, I was sure about fixing her in the role.

As the film is set in Kochi, there had to be a connect, as so I wanted the ex-wife to be a Malayali.

Raja Krishna Menon, director of Chef

Many Bollywood films have been shot in Kerala as a background location, but in your film, Kochi plays an important role. Why did you choose to locate the story in Kochi?

Kerala was a conscious decision. Kochi has a unique appeal that has not been seen in Hindi films before. I like the place. It is very beautiful. I wanted to showcase the culture of Kerala. Our indigenous foods such as idiyappam, puttu, are not well-known in the northern part of the country, so I wanted to demonstrate them.

How did you rope in Svar Kamble as the child actor?

It was the most difficult casting. The kid had to act like the child of a single parent, as such children have a peculiarity – they are more mature and not just cute. A lot of children had gone through the screen test. But I found him to be perfect, he is quite mature. His role is very crucial and if the actor went wrong, the film would have suffered.

What difference do you notice in Bollywood’s attitude towards you after Airlift? How has your life changed after it?

Airlift was critically and commercially successful. After that, naturally the spotlight was on me, as that’s how our industry is. Airlift definitely changed my life. Earlier, actors wouldn’t respond to my calls when I approached them, but now the scene has changed and they see me as a successful director, which is completely natural.

Raja Krishna Menon with Saif Ali Khan and Akshay Kumar

You have directed prominent actors like Nandita Das and Naseeruddin Shah in your first two films – Bas Yun Hi and Barah Aana. How was it like directing such veterans of Bollywood cinema?

Till date I have not had a bad experience with any actor. It’s a very satisfying experience to build characters. Each actor has a different approach towards their character. Eg., Naseeruddin Shah asks a lot of questions and likes to deliberate upon the different ways of approach; Akshay Kumar likes  to use a lot of body language. Some actors don’t need a lot of explanation. Naseer comes to the set itself as the character. Vijay Raaz is an actor who quickly changes into character in front of the camera.

How did you begin your career in films?

It was purely by chance. I grew up in Bangalore and studied BSc Chemistry. I was working as production runner for a commercial for HMT watches. When I saw the first frame of the shoot, it excited me completely and I knew this is what I wanted to do. I started working in this field for two years in Bangalore, and then later shifted to Mumbai. I also worked with director Mukul Anand in there.

Do you follow Malayalam cinema? Do you have any plans to venture into it?

I do watch Malayalam films on DVDs as I do not get time to go and watch in theatres – the last I watched in theatre was probably Bangalore Days. There are no immediate plans to venture into Malayalam films. I do wish to make a Malayalam film some day but am quite afraid to do so now, as to be able to make a film in Malayalam, one needs to have lived there and spent some time there. As I am not living in Kerala, I am not aware of the place and its workings.

 

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A Nostalgic Journey Through Love &Cinema : Best Bollywood Romantic 90s Movies

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As we reminisce about the golden era of Bollywood cinema, the 90s stand out as a time when romance reigned supreme on the silver screen. From epic love stories to heartwarming tales of passion and longing, 90s Bollywood movies have left an indelible mark on our hearts and minds. If you’re in the mood for some classic romance this vacation, here’s a curated list of the best Bollywood romantic movies from the 90s that are guaranteed to make you swoon and fall in love all over again.

Dilwale Dulhania Le Jayenge (1995):

Directed by Aditya Chopra, this iconic film starring Shah Rukh Khan and Kajol is a timeless masterpiece that continues to capture the hearts of audiences worldwide. With its unforgettable love story, breathtaking scenery, and soul-stirring music, “DDLJ” is a must-watch for romantics of all ages.

Hum Aapke Hain Koun..! (1994):

Directed by Sooraj Barjatya, this beloved family drama starring Salman Khan and Madhuri Dixit is a celebration of love, tradition, and togetherness. With its vibrant song and dance sequences, endearing characters, and heartwarming storyline, “Hum Aapke Hain Koun..!” remains a cherished favorite among Bollywood fans.

Kuch Kuch Hota Hai (1998):

Directed by Karan Johar, this romantic drama starring Shah Rukh Khan, Kajol, and Rani Mukerji is a quintessential love triangle that tugs at the heartstrings. With its catchy music, stylish costumes, and memorable dialogues, “Kuch Kuch Hota Hai” is a nostalgic journey back to the 90s era of Bollywood romance.

Hum Dil De Chuke Sanam (1999):

Directed by Sanjay Leela Bhansali, this epic love story starring Salman Khan, Aishwarya Rai, and Ajay Devgn is a cinematic masterpiece that explores the complexities of love and sacrifice. With its grandiose sets, soulful music, and powerful performances, “Hum Dil De Chuke Sanam” is a timeless classic that continues to resonate with audiences.

Rangeela (1995):

Directed by Ram Gopal Varma, this romantic musical starring Aamir Khan, Urmila Matondkar, and Jackie Shroff is a colorful and vibrant ode to love and dreams. With its foot-tapping music, electrifying dance sequences, and captivating performances, “Rangeela” is a delightful blend of romance, drama, and entertainment.

As you embark on a nostalgic journey through the best Bollywood romantic movies of the 90s, prepare to be swept away by timeless love stories, unforgettable melodies, and iconic moments that have left an indelible mark on Indian cinema. Whether you’re a die-hard romantic or simply in search of cinematic escapism, these timeless classics are sure to make your vacation a memorable and magical experience. So, grab some popcorn, snuggle up with your loved ones, and let the magic of 90s Bollywood romance transport you to a world of love, laughter, and happily ever afters.

 

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Feminine Characters in Bollywood Films Who Could Be Relatable

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Artistic works can occasionally achieve the ideal balance between the universal and the particular. Art has the power to unite us, despite the fact that our paths have been very different. There are songs whose words perfectly capture what you’re feeling. Alternatively, some movie stories seem to be crafted directly from your experience. Bollywood cinema has long been celebrated for its colourful storytelling, vibrant characters, and memorable performances. Over the years, we’ve seen a shift towards more nuanced and relatable portrayals of women on the silver screen. These characters not only resonate with audiences but also reflect the diverse experiences and aspirations of modern women. Here are seven feminine characters from Bollywood films who could be relatable to viewers:

Kaira from ‘Dear Zindagi‘

Potraied by Alia Bhatt, Kaira’s sleeplessness was caused by more serious problems that need counselling to resolve. I hope that more people could and would take that action. Her state of mental disarray was somewhat recognizable.

Geet from ‘Jab We Met’

Played by Kareena Kapoor Khan, Geet is a free-spirited and confident young woman who embarks on a journey of self-discovery after a chance encounter with Aditya, played by Shahid Kapoor. Her infectious energy, resilience, and zest for life make her a relatable and endearing character for many.

Piku from ‘Piku‘

Deepika Padukone portrays Piku, a strong-willed and independent woman who juggles her career, family responsibilities, and personal life with grace and humor. As she navigates the complexities of caring for her aging father, played by Amitabh Bachchan, Piku’s authenticity and resilience make her a relatable and inspiring character for many.

Rani from ‘Queen’

In this empowering tale of self-discovery, Kangana Ranaut shines as Rani, a young woman who embarks on a solo honeymoon trip to Europe after being jilted at the altar. As Rani navigates unfamiliar territory and embraces newfound independence, audiences are inspired by her courage, vulnerability, and unwavering spirit.

Veronica from “Cocktail” 

Deepika Padukone delivers a nuanced performance as veronica, a modern and independent woman who finds herself caught in a complicated love triangle. As veronica navigates the complexities of friendship, love, and self-discovery, audiences are drawn to her authenticity, vulnerability, and strength.

Aisha from “Wake Up Sid” 

In this coming-of-age drama, Konkona Sen Sharma plays Aisha, a young woman who moves to Mumbai to pursue her dreams of becoming a writer. As she navigates the challenges of adulthood, career aspirations, and romantic relationships, Aisha’s journey resonates with viewers who are also finding their place in the world.

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Arjun Ashokan Films Worth Watching

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Arjun Ashokan’s journey in malayalam cinema has been marked by versatility, passion, and a commitment to his craft. From his performances in acclaimed films like “Bramayugam” to his captivating roles in romantic dramas like “June” and “Super Sharanya,” Ashokan continues to captivate audiences with his talent and charm. As we celebrate the must watch of Arjun Ashokan’s movie roles, we look forward to witnessing his future endeavors and the indelible mark he will undoubtedly leave on Indian cinema.      

Romancham

Bramayugam

Super Sharanya

June

Ajagajantharam

 

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