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Bejoy Nambiar : A Solo Changemaker

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Having carved his name in Bollywood, Bejoy Nambiar now makes his foray into Malayalam films with the much looked forward to film Solo starring Dulquer Salmaan

Interview by: Suhas KM   Words By: Charishma Thankappan    Featured image source: Wazir official movie page

He is known for changing the face of Bollywood cinema with never seen before concepts through films such as Shaitan, starring Kalki Koechlin and Rajiv Khandelwal. Bejoy Nambiar soon shot to stardom with the tag of being an experimental filmmaker, bringing uncommon experiences to the audience. He was also behind films such as David and Wazir. A Malayali, he is now venturing into the Malayalam film industry for the first time with Solo, starring Dulquer Salmaan. The film has roused a lot of curiosity ever since it was announced, through its one-of-a-kind storytelling and its exceptional music. Bejoy speaks to us about his journey so far.

What is Solo about?

Solo is an anthology of four stories, based on the four different elements of earth, fire, wind, and water. It explores the emotions of Shiva, ranging from extreme rage to extreme love. Dulquer Salmaan plays the protagonist in each of the stories as the characters Siva, Rudra, Shekhar, and Trilok.

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How different are Dulquer’s characters in this film, from what he has done in all his previous films?

Dulquer has done a fabulous job in making sure that each of the characters in the four stories is as different and unique from each other. Entering into the Malayalam film industry, I wanted to bring something very different that has not been seen in Malayalam films before, and Dulquer has ensured such a performance which will be very unexpected for the audience.

Another unique characteristic of your films is the music. Like your other films, Solo too has a number of songs with several musicians.

I don’t set out doing a film deciding that I need a certain number of songs in it. As I’m writing, I keep writing music into my films; I start collecting songs and keep recording music, using music as a tool for my writing and filming. My filming process is such that I keep adding music as it progresses. But my problem is I don’t know when to stop (laughs). Solo gave me a lot of freedom and opportunity to lend different soundscape to the different stories and genres. There are four-five songs which are existing songs of which I did reprised versions, such as Aal ayal … It was my way of getting more out of them because I love their music, and therefore the large number of songs in the film. There is so much variety in the music that everyone will like some of the songs at least.

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Tell us about the female characters in the film.

Sruthi Hariharan plays the character Ruku in World of Siva, Neha Sharama is Akshara in World of Rudra, Dhansika is Radhika in World of Shekhar, and Arthi Venkatesh is Aisha in World of Trilok. Women play a pivotal role in the film. Even though Dulquer is there in all the stories, each of the women characters is integral, without whom the film would be incomplete. It is not just the female leads, but other actors such as Suhasini Mani Ratnam, Deepti Sati, Sujata Sehgal, Sai Tamhankar, Asha Jayaram, Ann Augustine who play important roles in each of the stories.

Being a Malayali, what made you venture into Malayalam films so late?

I was born and raised in Bombay, and therefore my natural inclination was towards Bollywood. However, I started my career in Malayalam through a short film. I had also discussed a project with Lal sir (Mohanlal) but it did not pan out. I was also in talks with Prithviraj after Shaitan and David, it was almost in progress but did not work out in the end. I have now ventured into the industry with Solo. Let’s see how it is received.

After watching your films in Bollywood, such as Shaitan, David, Wazir, etc., I felt that experimental films are your forte. Now, while entering into the Malayalam film industry as well, you are bringing such a new concept. What made you choose such a genre?

When I set out to do a film, it has to excite me and make me feel I really want to do it. So I have never consciously tried to confine it into a particular genre. I do not strive to make big budget commercial films. With Solo, I have tried to bring in a commercial aspect as much as possible, which you can see from the trailers as well, and they are quite relatable.

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Do you follow Malayalam films?

I do watch Malayalam films. Lijo Jose Pellissery is a close friend of mine. He advises me on which films to watch. Even in Mumbai, people watch Malayalam films when there are English subtitles.

How did you develop your passion for films?

I have loved films right from childhood. My family members are also movie buffs and we used to wait for new releases to watch through VHS (video home system).
I started with a short film called Reflection. After that I assisted Mani Ratnam sir in Guru. That’s how I made my entry into films.

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Tell us about how you got Mohanlal to act in your short film Reflection?

I always wanted to get into films. But I wanted to do at least ten short films before venturing into feature lengths. Lalettan was of course on my wishlist. So I started approaching him for an appointment and after about six months I finally got one. He heard the story and within ten minutes agreed to do the film. I was shocked! It was the early 2000s, when films were still being shot on reels. At that time there was no one to help me out; it was cinematographer Sethu (Dangal) who did my film.

You assisted Mani Ratnam sir in Guru and Raavan, and then worked with him again in Kaatru Veliyidai after being a director yourself. How was the experience of working with a legendary filmmaker like him?

Working with Mani sir is like going back to school to learn. I ask him about the when, what, hows of the filmmaking process. Even if he doesn’t want me around during the shoot, I somehow fit myself around to watch and learn from him.
I was able to get the opportunity to work in Guru through Reflections. I was just about to start my second short film, when he called me for Guru. So I dropped all my plans and went to join him.

How was it working with Amitabh Bachchan in Wazir?

Like every director in India who wants to work with Bachchan sir, I am no exception. To be able to work with him is a big thing, and being able to direct him was a great experience. He is an absolute sweetheart and is full of warmth. Even now when I meet him, I am starry-eyed.

In the film Shaitan, I was taken aback by the scene in which there is a shootout sequence, and it has the background music as Khoya Khoya Chaand. What made you place such a song in such a scene?

While writing the script, we always had in mind that we needed a completely random song that was out of the scene. Initially, we had the songs Lakdi ki Kaati and the Vicco Turmeric in mind, then later fixed on Khoya Khoya Chaand, which was perfect.

When I watched your film David, I felt that the story which had actor Jeeva (in Tamil and Vinay Virmani in Hindi) had a lot more to convey. There is scope to convert it into a feature film. So, can we expect something on those lines in future? Also, the film has three stories in Hindi and two in Tamil; why did you cut out the story based in London, which has Neil Nitin Mukesh in the lead?

David did not receive a great response, so I don’t think that a sequel to it will be welcome. I started writing David with the story which has Jeeva/ Vinay, so that story is very close to my heart.
When we had planned David, we had not decided to bring it out as a bilingual. So we felt that the London-based story would not suit the Tamil audience.

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A Nostalgic Journey Through Love &Cinema : Best Bollywood Romantic 90s Movies

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As we reminisce about the golden era of Bollywood cinema, the 90s stand out as a time when romance reigned supreme on the silver screen. From epic love stories to heartwarming tales of passion and longing, 90s Bollywood movies have left an indelible mark on our hearts and minds. If you’re in the mood for some classic romance this vacation, here’s a curated list of the best Bollywood romantic movies from the 90s that are guaranteed to make you swoon and fall in love all over again.

Dilwale Dulhania Le Jayenge (1995):

Directed by Aditya Chopra, this iconic film starring Shah Rukh Khan and Kajol is a timeless masterpiece that continues to capture the hearts of audiences worldwide. With its unforgettable love story, breathtaking scenery, and soul-stirring music, “DDLJ” is a must-watch for romantics of all ages.

Hum Aapke Hain Koun..! (1994):

Directed by Sooraj Barjatya, this beloved family drama starring Salman Khan and Madhuri Dixit is a celebration of love, tradition, and togetherness. With its vibrant song and dance sequences, endearing characters, and heartwarming storyline, “Hum Aapke Hain Koun..!” remains a cherished favorite among Bollywood fans.

Kuch Kuch Hota Hai (1998):

Directed by Karan Johar, this romantic drama starring Shah Rukh Khan, Kajol, and Rani Mukerji is a quintessential love triangle that tugs at the heartstrings. With its catchy music, stylish costumes, and memorable dialogues, “Kuch Kuch Hota Hai” is a nostalgic journey back to the 90s era of Bollywood romance.

Hum Dil De Chuke Sanam (1999):

Directed by Sanjay Leela Bhansali, this epic love story starring Salman Khan, Aishwarya Rai, and Ajay Devgn is a cinematic masterpiece that explores the complexities of love and sacrifice. With its grandiose sets, soulful music, and powerful performances, “Hum Dil De Chuke Sanam” is a timeless classic that continues to resonate with audiences.

Rangeela (1995):

Directed by Ram Gopal Varma, this romantic musical starring Aamir Khan, Urmila Matondkar, and Jackie Shroff is a colorful and vibrant ode to love and dreams. With its foot-tapping music, electrifying dance sequences, and captivating performances, “Rangeela” is a delightful blend of romance, drama, and entertainment.

As you embark on a nostalgic journey through the best Bollywood romantic movies of the 90s, prepare to be swept away by timeless love stories, unforgettable melodies, and iconic moments that have left an indelible mark on Indian cinema. Whether you’re a die-hard romantic or simply in search of cinematic escapism, these timeless classics are sure to make your vacation a memorable and magical experience. So, grab some popcorn, snuggle up with your loved ones, and let the magic of 90s Bollywood romance transport you to a world of love, laughter, and happily ever afters.

 

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Feminine Characters in Bollywood Films Who Could Be Relatable

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Artistic works can occasionally achieve the ideal balance between the universal and the particular. Art has the power to unite us, despite the fact that our paths have been very different. There are songs whose words perfectly capture what you’re feeling. Alternatively, some movie stories seem to be crafted directly from your experience. Bollywood cinema has long been celebrated for its colourful storytelling, vibrant characters, and memorable performances. Over the years, we’ve seen a shift towards more nuanced and relatable portrayals of women on the silver screen. These characters not only resonate with audiences but also reflect the diverse experiences and aspirations of modern women. Here are seven feminine characters from Bollywood films who could be relatable to viewers:

Kaira from ‘Dear Zindagi‘

Potraied by Alia Bhatt, Kaira’s sleeplessness was caused by more serious problems that need counselling to resolve. I hope that more people could and would take that action. Her state of mental disarray was somewhat recognizable.

Geet from ‘Jab We Met’

Played by Kareena Kapoor Khan, Geet is a free-spirited and confident young woman who embarks on a journey of self-discovery after a chance encounter with Aditya, played by Shahid Kapoor. Her infectious energy, resilience, and zest for life make her a relatable and endearing character for many.

Piku from ‘Piku‘

Deepika Padukone portrays Piku, a strong-willed and independent woman who juggles her career, family responsibilities, and personal life with grace and humor. As she navigates the complexities of caring for her aging father, played by Amitabh Bachchan, Piku’s authenticity and resilience make her a relatable and inspiring character for many.

Rani from ‘Queen’

In this empowering tale of self-discovery, Kangana Ranaut shines as Rani, a young woman who embarks on a solo honeymoon trip to Europe after being jilted at the altar. As Rani navigates unfamiliar territory and embraces newfound independence, audiences are inspired by her courage, vulnerability, and unwavering spirit.

Veronica from “Cocktail” 

Deepika Padukone delivers a nuanced performance as veronica, a modern and independent woman who finds herself caught in a complicated love triangle. As veronica navigates the complexities of friendship, love, and self-discovery, audiences are drawn to her authenticity, vulnerability, and strength.

Aisha from “Wake Up Sid” 

In this coming-of-age drama, Konkona Sen Sharma plays Aisha, a young woman who moves to Mumbai to pursue her dreams of becoming a writer. As she navigates the challenges of adulthood, career aspirations, and romantic relationships, Aisha’s journey resonates with viewers who are also finding their place in the world.

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Arjun Ashokan Films Worth Watching

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Arjun Ashokan’s journey in malayalam cinema has been marked by versatility, passion, and a commitment to his craft. From his performances in acclaimed films like “Bramayugam” to his captivating roles in romantic dramas like “June” and “Super Sharanya,” Ashokan continues to captivate audiences with his talent and charm. As we celebrate the must watch of Arjun Ashokan’s movie roles, we look forward to witnessing his future endeavors and the indelible mark he will undoubtedly leave on Indian cinema.      

Romancham

Bramayugam

Super Sharanya

June

Ajagajantharam

 

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